So when we plan a storybook romance, what are some of the elements, besides the First Meet, we try to put into it? We can’t make everything smooth sailing, or we’d have no story. A good story always contains conflict of some type. We have to make one or both of the main characters hard to get, or give them problems to overcome, or dangerous adversaries to defeat.
In The Quietest Woman in the South, I put in a murderous family that pursued them across several states, trying to kill them. They tried to escape, then fought back. This element is called External Conflict, and can be a source of suspense and unexpected plot turns.
Or the woman may not realize that this is the man for her. She thinks he is too handsome or rich or popular to see anything in her. Or she doubts his intentions until he has rescued her from danger, or has demonstrated that she can trust him. This element is called Internal Conflict, and can be the more emotional of the two types of conflict.
The best books usually have both types of conflict in them. Tennessee Touch held an emotional uncertainty for the heroine. She had had numerous stepfathers, including one who tried to attack her, so that she distrusted men in general.
In “The Prettiest Girl in the Land,” Ruth Trahern is plain compared to her sister, Mary. So Ruth doesn’t think any handsome man would be interested in her. This is how she feels:
He sat there atop his horse, with hat, boots, bandana, and chaps, looking so much the western cowboy that I hadn’t recognized him, even though he’d tipped that hat to me several times during the morning. He was handsome enough to bring a dead polecat back to life, and my heart did a little flip.
But this was Gage, who was a rolling stone, handsome as the devil and not responsible for anything except to break women’s hearts. I reminded myself of that, and my heart just flopped right back down in place.
Another element is the Other Woman, or the Interfering Parent, or Best Friend who really isn’t a friend. Then there is always the Boss who can be a source of conflict, either in the office or as an officer in the military. When doing a longer novel, it is handy to have one or more of these mixed into the story.
A USA Today bestselling author, Nancy Radke grew up on a wheat and cattle ranch in SE Washinton State. She attended a one-room country school through the eighth grade. She learned to ride bareback at age 3 (Really! It was a common practice.) and when she got off or fell off, she would pull her horse’s nose to the ground, get on behind its ears, and the horse would lift its head so she could scoot down onto its back. Nancy spent most of her childhood exploring the Blue Mountain trails that bordered the ranchlands. She and a friend once took a trail that turned out to be a two day trip. They always rode with matches and pocket knives, so made camp and returned the next day. These long rides worried her parents, but provided plenty of time to make up stories. Her first novel was set in the Blues, and is entitled APPALOOSA BLUES. TURNAGAIN LOVE was the first one published. It rated a four star review from Affaire de Coeur. Scribes World said “Turnagain Love has some fascinating twists and turns, unexpected complications, and charming scenes.” It is light and humorous. Nancy currently has over 30 books written, both modern and western. All her stories are sweet and wholesome.